By problematizing representation and making its process transparent, Grskovic sets up a dialogue between what we consider to be real and our propensity to idealize that reality."
- Stephen Foster
Contact: Info@randygrskovic.com
For more information about specific images please click on them
By problematizing representation and making its process transparent, Grskovic sets up a dialogue between what we consider to be real and our propensity to idealize that reality."
- Stephen Foster
Contact: Info@randygrskovic.com
For more information about specific images please click on them
“The Age of Information (Eve)” | Randy Grskovic | Exhibition: The Age of Info(rmation)
Hand drawn grid, Collage, Gold Leaf, Shadow Box | 2010
Private Collection of Abbie Kootchin
“Grskovic effectively combines old craft techniques with modern media designs meanwhile referencing history, religion, science and technology. The collages prompt viewers to consider how morality in our culture differs from the morals that we have acquired through historical and mythical stories. The exhibition’s title piece depicts an Eve-like 1960s era woman with voluminous mascara eating an apple while surrounded by exotic snakes from around the world. This body of work moralizes contemporary global issues against those of the past.”
- Justin Muir
This was the main poster I used for The Age of Information exhibit. I also used this image on the front of the gallery. I frosted the windows with vinyl so you couldn’t see in our out, it created a nice quiet space off a busy street. The image on the glass is a 5’ digitally printed sticker.
The best thing about starting your own gallery is you can do whatever the fuck you want.
I highly suggest it.
“Heaven” | Randy Grskovic | Exhibition: The Age of Information
Collage, Shadow Box, UV protective glass, archival quality
$700
“Architect” | Randy Grskovic | Exhibition: The Age of Information
28” x 40” | Collage, String, Electrical Tape, Petri Dish
Private Collection of Rommy Ghaly
“Civilian” | Randy Grskovic | Exhibition: The Age of Information
“Wet Dream” | Randy Grskovic | Exhibition: The Age of Information
15” x 15” | collage, original childhood sticker album
Private Collection of Ed Spence
“Keepsake” | Randy Grskovic | Exhibition: The Age of Information
26” x 30” | collage, cotton balls, craft moss, Belgian linen, plexiglass
Private Collection of Steve Yanor
This work was originally commissioned for a non-profit animal rights organization who invited a group of artists to make work derived from local news publications about animal rights issues. The artists’ involved handpicked media articles in which to create their piece for the exhibition. This piece in particular was conceptualized around a story about a Canadian artist who bought animal bones from Africa and brought them back to Canada to make artwork from them.
The Canadian Government found out about this transaction and under National law it is illegal to possess animal bones without the proper permits. The artist was prosecuted for the offence and the bones were confiscated. The bones were then given to a Canadian National Museum and for display. They were not returned to Africa.
The ideas behind this particular work question the morality of this structure. It was deemed illegal for an artist to possess these bones and create and display work from the artifacts but it was not illegal for a Canadian institution to display bones that were not inherently theirs.
Beyond that idea, this work begins to question the morality of the hunter and prey relationship, both in the animal “kingdom” as well as with human interactions.
Where are these issues of right and wrong established, how do these judgments change over time and what is their immediate and lasting impact?
More questions are raised from the images and surreal narrative of the work and the viewers are invited to ask themselves “what does this mean to me?”
“Icarus” | Randy Grskovic | Exhibition: The Age of Information
24” x 24” | collage, thread, pencil, Polaroid, fortune
Private Collection of Britt Gallpen
“Good things come to those who wait, but only the things left by those who hustle”
Actual fortune from a fortune cookie. The Polaroid is one I took from the rooftop of my studio. The threadwork is all done by hand and the grid in the background is drawn in pencil
“The Trickle Down Effect” | Randy Grskovic
Analog Collage | 6.5” x 10” (16” x 20” frame) | 2012
This work is created using original found prints from vintage magazines. It is framed in a bright white, acid free, 8ply mat and housed a white wood frame behind UV protective glass. All adhesives used in the construction of the collage are also acid free. Originally created for the exhibition “Money is Just Paperwork”
$400