By problematizing representation and making its process transparent, Grskovic sets up a dialogue between what we consider to be real and our propensity to idealize that reality."
- Stephen Foster
Contact: Info@randygrskovic.com
For more information about specific images please click on them
By problematizing representation and making its process transparent, Grskovic sets up a dialogue between what we consider to be real and our propensity to idealize that reality."
- Stephen Foster
Contact: Info@randygrskovic.com
For more information about specific images please click on them
Collage Now
In the summer of 2012 guest editor Leah Taylor visited the studio of Vancouver based artist Randy Grskovic. While there, Taylor had the opportunity to view the early stages of Grskovic’s (now prolific) series of collages from found photographs. The studio visit fuelled a discussion at BlackFlash Magazine regarding the work members of our editorial committee has seen across Canada that shared the impetus of found photographs and manipulated images.
Paul Buttler, Aislinn Legget and Randy Grksovic have three very diverse art practices, yet all there artists have utilized cut-outs and collage as a medium to examine critical concerns. Additionally, their works shares conceptual pedagogical threads related to memory, power, humor and the archives.
Lost and Found
Randy Grskovic began scanning photographic archives from his childhood as a means to preserve those memories. In the process he discovered missing photographs, which revealed gaps, not only his own childhood, but also in societies collective memory. Grskovic problematizes issues surrounding archives, digitization and memory by asking the following questions, “What happens when the document is lost; what really happened; how can we be sure?”
In one of his most recent series, Grskovic worked primarily with found photographs acquired from flea markets and antique stores. He cuts and manipulates the photos into precise collage patterns, which he considers to be a collaboration with the original photographer.
“When I approach these found photographs I think about the people in the and the person who took them. Each one is unique; the framing of the shots are various based on the “style” of the person documenting, the event, as well as their interaction with the subjects in the photo.”
In his found photograph series Grskovic’s approach is to aesthetically alter the classic vintage polaroid from its original document into a more futuristic, ironic and forward-thinking image. Through his collages he creates a relevant and cyclical dialogue between technology, history, memory and contemporary art.
Randy Grskovic, http://www.randygrskovic.com/post/37849084735. Accessed on December 16, 2012.
Here are a couple of photos of the opening.
If you’d like to see more please see this album.
The opening of Cut and Paste was a huge success. I have four pieces in this exhibition. It’s a survey of over 30 Canadian artists from the past 75 years who have been influential with their collage practice. I exhibited along side some of my favorite artists, Jack Shadbolt, Rodney Graham, Roy Arden, Geoffrey Farmer ect.
The best news came as I entered the gallery and found out that one of my pieces had been sold to a private collector. Obviously, the honor of showing my work in this context is a great feeling but It’s also nice to get paid for your effort.
The piece is called “Where There’s Smoke”. It’s hard to tell on a computer screen but it’s got 8 layers of depth and is a collection of images of fire. There is smoke made with cotton batting and a grid of black string. I’ll post some details.
Big News.
If you’re in Vancouver next Saturday, June 2nd, and you like contemporary collage, please come to this group exhibit I’m in. I’ve got 4 pieces in this one and am showing with some of Canada’s best collage artists. This is going to be only the second show in the new space, so if you haven’t had a chance to check it out…it’s massive.
“Cut and Paste” will be an exhibit about collage, montage, assemblage, and pre-collage in Canada, with an emphasis on art from the West Coast. Their choice of exhibit is rooted in the nature of collage. It’s something that people often assume is a simpler operation with scissors and paper, but there’s a real history to back it up. Some of this history will be on display: artwork by Jack Shadbolt and Harold Town will be shown, as well as work by contemporary artists such as Etienne Zack, Renée van Halm, Paul Butler, Jason McLean, and Office Supplies Incorporated. Expect a multi-media aspect to the show